| Summary |
The Raggedy Ann musical is known as Raggedy Ann in it's 1984 & Broadway productions, and Rag Dolly in the 1985 production and Moscow tour. The book was written by William Gibson (of The Miracle Worker) and the music composed by Joe Raposo (of Sesame St. and The Muppet Show). The production came into being when producer Patricia Snyder saw the 1977 animated Raggedy Ann & Andy: A Musical Adventure and asked the movie's composer, none other than Joe Raposo, to join her in creating a new musical. Gibson was inspired by the legend of Raggedy Ann's origins - in which Johnny Gruelle created the character to cheer up his sick and dying daughter, Marcella - to write a show that dealt with grief, death, and how stories can bring us hope and comfort when life is difficult to face.
In 1984, the show's workshops opened to mixed reviews, critics saw promise in the concept but many parents complained of the darker themes they were not expecting out of such a child-friendly property. The show went on, however, and the next year it was chosen to play a important role in a cultural exchange between the Empire State Institute for the Performing Arts and Moscow's Musical Theater for Children. The cast spent New Years Eve, 1985, on a plane to the USSR, where they would spend the coming weeks performing for the delighted children and political leaders of Moscow.
They returned home with high spirits following the incredibly positive reception. The show started on the tracks to Broadway with a tryout at the Kennedy Center in Washington D.C. from August 23 to September 21, 1986, now with half the original cast replaced. In October, the show moved to the Nederlander Theater on Broadway for previews. Under the harsh lights and even harsher critics of Broadway, the charming little oddity was clearly out of place. Raggedy Ann ultimately raised the curtains for opening night on October 15th... and promptly lowered them again three days later. With no cast album, no licensing, and very little fanfare, the show faded into obscurity.
| History Hub |
The History of the Raggedy Ann Musical
Come learn the history of this show! This is where we will have links to recources about the musical and pages written by members of the revival effort. Sorry, many of these are still a work in progress, but any page not labelled (wip) is active!
Learn about the musical:
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Synopsis & Musical Numbers (wip)|
Background & Development (wip)|
1983 "Circus Draft" ESIPA production|
1984-1985 ESIPA productions (wip)|
Moscow cultural exchange (wip)|
Out-of-town tryouts at the Kennedy Center (wip)|
Broadway (wip)|
Frequently Asked Questions (wip)Learn about Raggedy Ann:
Learn about the Revival Effort:
| Archives |
This is where we will be catalouging all the media relating to the Raggedy Ann musical that has been discovered over the years. All of the links and materials here will be primary sources. Sorry, many of these are still a work in progress, but any page not labelled (wip) is active!
Note: many of these photos have been shrunken down to display on this site. If you would like the high-res version of these images for any reason, please email us at theraggedyannrevivaleffort@gmail.com. Thank you!
Search by media type:
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Video
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Photos
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1983 Raggedy Ann and Andy at ESIPA|
1984 Raggedy Ann at ESIPA (wip)|
1985 Rag Dolly at ESIPA (wip)|
1986 Rag Dolly in the USSR (wip)|
1986 Raggedy Ann at the Kennedy Center (wip)|
Press
Search by production:
Link collections:
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Assorted Raggedy Ann musical links|
Recent press & reviews|
General Raggedy Ann sites| Interviews |
Part of our reaserach into the Raggedy Ann musical involves contacting and interviewing any of the original cast members who are interested in talking to us!
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Interview with Gail Benedict by the Raggedy Ann Revival Effort (3-19-2022)
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Highlights from Michelan Sisti’s talk with the Raggedy Ann Revival Effort (3-11-2022)
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Tricia Brooks' talk with the Raggedy Ann Revival Effort (7-28-2022)
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Scott Schafer surprises us with info on the early "circus version" of Raggedy Ann (4-27-2022)
All interviews are casual conversations, edited down by us. This footage was recorded and released with express permission from everyone involved. Full recordings exist within RARE’s archives, kept private at the request of its attendees. More footage may be avaliable on request for those interested in documenting the show or our progress, please email us with inquiries.